Ebook {Epub PDF} Fronteras Americanas by Guillermo Verdecchia

 · Fuelled by equal parts outrage, intelligence and wit, Fronteras Americanas re-creates one person’s struggle to construct a home between two cultures, while exploding the images and constructs built up around Latinos and Latin America. This one-person play works through bold juxtapositions and satiric reference points: Simón Bolívar and Speedy Gonzales; Columbus and Estimated Reading Time: 1 min. Guillermo Verdecchia's Fronteras Americanas, a very successful one-person show which premiered in Toronto in , deals with two kinds of borders: those within the American continent, which result in stereotypes of the south; and those within the individual, which . In Verdecchia’s preface to the new edition, when examining his reasons for bringing forth a “refried” form of Fronteras Americanas in the 21st century, he indicates: There are, after all, people all over the globe living, crossing, resisting, defining, and defending linguistic, cultural, racial, gender, psycho- geographical, cartographic, political and other borders/5(6).

Guillermo Verdecchia begins his play, Fronteras Americanas, with naming. Like Verdecchia, however, MacLeod suggests the possibility of an imaginative transformation of reality, which remains grounded in reality, as Wallace Stevens suggests in his poem, "The Man with the Blue Guitar". Guillermo Verdecchia's autobiographical solo show about coming to terms with being a hyphenated Canadian smells to high heaven of the early s. In Fronteras Americanas ("American Borders" in English), Verdecchia assumes two different personae. The first is a version of himself. Fronteras Americanas Verdecchia Guillermo. Nov 14 You have remained in right site to start getting this info. get the fronteras americanas verdecchia guillermo colleague that we come up with the money for here and check out the link.

Synopsis. Expand/Collapse Synopsis. Fuelled by equal parts outrage, intelligence, and wit, Fronteras Americanas recreates one person’s struggle to construct a home between two cultures, while exploding the images and constructs built up around Latinos and Latin America. This one-person play works through bold juxtapositions and satiric reference points: Simón Bolívar and Speedy Gonzales; Columbus and Fodor’s travel guides; Ricky Ricardo and the Latin Lover; La Bamba and Placido Domingo. Fronteras Americanas. Written and performed by Guillermo Verdecchia; Directed by Jim Warren; At the Young Centre in Toronto. In Verdecchia’s preface to the new edition, when examining his reasons for bringing forth a “refried” form of Fronteras Americanas in the 21st century, he indicates: There are, after all, people all over the globe living, crossing, resisting, defining, and defending linguistic, cultural, racial, gender, psycho- geographical, cartographic, political and other borders.